Go Home Natasha Oakley

NATASHA OAKLEY, AUTHOR

I was born in an 'old' English county called Middlesex. You won't find it on any modern map - it's been swallowed up by Greater London and at the swish of a bureaucratic pen it disappeared. Nevertheless, I had a perfectly happy childhood there with two parents who love me and a younger brother I still like! Painfully shy, books were my passion and my first career ambition was to be an author -- mainly, I think, because I didn't fancy leaving home.

Everyone seems to have one teacher who's inspired them more than any other. I met mine when I was thirteen and his name was Frank Richards, our drama teacher. He introduced me to theatre and at fourteen I walked on stage for the first time in a play he'd written. It was the beginning of a new passion.

After a three-year classical theatre training at the Webber Douglas Academy of Dramatic Art in London, I started my career in professional theatre under my Equity name of Jessica Dean.

In 1991 I married my husband and we decided to start our family. I must have harboured some kind of daft idea that I would have a baby, put it in a papoose and carry on pretty much as before. Not surprisingly it didn't quite work out that way. I hadn't realised quite how powerful mother-love is. I had five children in six years, working only very briefly during this time.

I'm blessed with an easy, happy marriage and five great children, but when illness touched our lives I started to reassess my future. It was the start of my writing career. My second submission to Mills & Boon was accepted in December 2003.

I now live in Bedfordshire with my husband and my children. I love antique fairs, collect kitchenalia, paint in watercolour, and am a signer for the deaf (BSL). My house is in a constant state of disarray but I make great cakes, write books and no one seems to mind.

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Aged 3 with my Dad and brother
Lining up in our corsets, Ruthie Henshall and me (right) backstage after a performance of Shakespeare's Henry VIII at the Chichester Festival Theatre.
Me, before all my babies

FAVORITE LINKS

HARLEQUIN 'ROMANCE' AUTHORS
Ally Blake
Barbara Hannay
Barbara McMahon
Carol Grace
Claire Baxter
Donna Alward
Donna Clayton
Fiona Harper
Jackie Braun
Jennie Adams
Jessica Hart
Judy Christenberry
Liz Fielding
Lucy Gordon
Linda Goodnight
Marion Lennox
Melissa James
Melissa McClone
Michelle Douglas
Nicola Marsh
Patricia Thayer
Sophie Weston
Trish Wylie

CATEGORY ROMANCE LINKS
For all lovers of category romance:

The Pink Heart Society
Join the Pink Heart Society

Harlequin ‘Romance’ blog

Harlequin ‘Romance’ Authors Site

Harlequin Presents Authors Site

I Heart Presents

Harlequin Modern Heat Authors Site

Harlequin Medical Romance Authors Site

Harlequin Historical Authors Site

Harlequin Historical Authors Blog

Harlequin Blaze Authors Site

Harlequin Intrigue Authors Site

HQN Authors Site

Harlequin Super Romance Authors Site

Silhouette Desire Authors Site

Silhouette Intimate Moments Authors Site

Silhouette Special Edition Authors Site

PLACES TO BUY BOOKS
Harlequin Mills & Boon - UK
Harlequin USA
Harlequin Australia
France
Germany
Italy
Japan
Spain
Sweden

ORGANISATIONS FOR WRITERS OF ROMANCE
Romantic Novelist’s Association
Romance Writers of America
Romance Writers of Australia
Romance Writers of New Zealand

OTHER ROMANCE SITES
Romantic Times
CataRomance

TOP TIPS FOR WRITERS
Ally Blake under ‘articles’
Charlotte Dillon
Kate Hardy
Melissa James
Trish Wylie

Is it true that the Harlequin Romance line you write for is coming to closure? If so, which line will you write for now?

Yes, that is true. The line will be finishing in August 2006. The good news is that I've been asked to write for the new Harlequin 'Romance' and my Accepting The Boss's Proposal is one of the launch books in September 2006.  



When you say 'Harlequin Romance' do you mean 'Presents' or a different line?

No. It's a different line. The NA cover on a Harlequin Romance has a horizontal teal line reading Harlequin Romance. In the UK it's an orange cover with 'Tender' in the bottom corner. The AUS/NZ cover is pale blue and labelled 'Sweet'. It's a line that would be entered in to the Traditional category of the RITA - although we can have non-explicit sex if we choose which would bounce us out of there. 'Presents' is the NA term for 'Modern' romances in the UK and 'Sexy' in AUS/NZ.

Originally the two lines were one but were split as an experiment with the more sexually explicit stories being flagged as 'Presents'. Now the lines are evolving on their own - but there's still a discernible overlap. Basically 'Presents' is more 'fantasy with an alpha hero' whereas 'Harlequin Romance' is a story which 'could happen to you'.

 

Why do you write romance?

Mainly because I like happy endings. I think life is tough enough without reading something depressing.

 

Why did you decide to write a book?

A combination of reasons. My husband bringing home a laptop, missing working in the theatre, wondering what to do with my life...

I've always told myself stories. I thought everyone did! But, essentially, I'm a lazy person and it's far easier to write them in your head than it is to get them down on paper. I needed an incentive to make myself sit down and do it.

In August 2000, shortly after our fifth child was born, my husband was diagnosed with cancer. There's a great deal to be said for being in control of your world and writing is a marvellous way of creating your own reality. This was the time I began my first book.

 

Did it sell?

No, but the second one came close. After two rewrites, my first submission to Harlequin Mills & Boon was rejected because it was felt it fell between the Tender/Modern divide. Book three, aimed specifically at Harlequin Romance, sold.

 

What is your top writing tip?

Don't sit down with aim of writing THE perfect book. Just sit down, relax and tell the story. Until you've actually finished the first draft you've got nothing to play with.

After that, buy Kate Walker's '12 Point Guide to Writing Romance'. It says it all.

 

Is it worth belonging to the RWA and/or RNA?

Absolutely.

As an unpublished writer I joined the Romantic Novelists' Association. The RNA run a 'New Writers' Scheme' where unpublished writers can submit one manuscript a year for a critique by a published author.

Although I didn't know it at the time, my mystery reader was the phenomenally successful Harlequin author, Kate Walker. She sent me five pages of criticism and a good sprinkling of encouragement - but better than that were the marks she made all over my manuscript. Lots of 'cut for pace' and ticks where I'd done something she liked.

When Kate heard I'd been asked for revisions by Mills & Boon she made contact with me and has been a mentor and friend ever since.

Membership of the RWA came after I'd sold my first book. RWA is a mine of information.

 

How do you manage to find time to write when you have five young children?

It's difficult. I steal time from all over the place and cut corners where I can. I also find it helps to take off my glasses when I come in so I don't see the dust!

Truthfully, I think it's always possible to find the time to do the things you're really motivated to do.

 

Will you ever write a longer book?

It's a tempting thought. Watch this space!

That said, I love writing for Harlequin Mills & Boon and hope to keep doing it for years to come. It's a very pure, disciplined kind of writing. A bit like writing down a tube - anything that doesn't further the central romance needs to be ruthlessly pruned away. It's great fun.

 

Do you have a critique partner?

Yes, I do. A critique partner is invaluable - but you must pick carefully. They need to understand the genre you're writing for and be someone whose judgement you trust.

My critique partner is Julia James, Harlequin Presents/Modern author. She sold her first book in the Summer of 2002 and faithfully kept our 'until publication' pact until I made my first sale a year later. Irritating that she beat me to it! Always at the other end of email, Julia has been fantastic. And no, you can't share her.

 

Will you ever go back to acting?

The short answer is that I'm unlikely to. But I'm still a member of Equity (British Actors' Union) and 'never say never'.

 

Have you worked with anyone famous?

Yes.

 

Has your acting background helped with your writing?

Without a doubt. The overlap is enormous.

When you're presented with a script it really isn't enough to stand in the right place and say the lines on cue. People are layered beings. What they say is not necessarily what they think. They have primary objectives, secondary objectives, secret objectives, regrets that inform their decisions... The list goes on.

The best actors are the ones who can bring to life all of that. Writing is very similar - but, of course, you get to be everyone!

 

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